Hello again and apologies for the long absence. Since I last added to this blog, Book Island broke loose of its moorings and took float, settling just a few cattails from its former position. Improvements include more space for my growing family of bookbinding equipment (more on that in a later post) and for holding mini-workshops; and proximity to a large vintage Wedgewood gas stove. There are many tradeoffs to living and working under the same roof; working for oneself also has its pluses and minuses. Not having to commute long distances, and being able to do things like let bread dough rise or soup simmer while working at the bench are things I would identify as pluses. Of course, it is a more solitary lifestyle; and there’s the whole tax/admin angle that has to be dealt with. In any case, it’s where Book Island is at right now. After sharing some tips on guarding and folio repair, I will include some snapshots of the new studio and workspace.
One of the great advantages to having formal training in bookbinding was the multitude of sidebar-type techniques we all learned. Being in a two-year, full-time bench-centered program afforded my class a fair amount of time for goofing off in the nerdiest way imaginable. In teaching us paper and book repair and conservation, my teacher gave us lots of bonus extra tips and methods for saving time and making a better result. Some of them may be in wider use than I am aware of, and some I go through phases of using heavily and then not using for a long time. One of these is something I have nicknamed the Folio-Mat. Like many studio aids in bookbinding, it is simply fabricated from a few pieces of scrap materials you probably have laying around not currently helping anybody, but it is completely out of the question to discard: binder’s board, buckram, mylar, and your favorite archival spun polyester. Oh, and don’t forget the Scotch 415 double stick… Yes, from these humble beginnings, you too could create wonders! Observe…
The Folio-Mat (trademark pending) allows you to easily unite two leaves separated by time and neglect in order to prepare them for sewing. I recently had to guard an entire textblock this way and was able to save some time. It was much easier to jog the separated leaves to the foredge, avoiding much of the stepping out leaves often do when regrouped into signatures. This paper was quite soft and fragile, having been in a mostly-disbound state for many years (burns and fading could be seen on the edges of the pages sticking out from the stack). To say this book was in tatters would be an understatement. I’m not sure the pre-treatment photos quite express the causes for trepidation I felt when approaching the repair… I’m sure we’ve all been there. It was very rewarding to see how it came out, however.
More fun from Book Island: