Unless otherwise noted, these workshops are held at the San Francisco Center for the Book. The Center moved at the very end of 2012 to 375 Rhode Island Street, so all the workshops listed here will be held in the new location (just around the corner from the old location). You can register on the webpage for each individual class, linked to in each listing, or call the Center at 415-565-0545.
I also offer a wide range of private tutoring in special topics; please inquire if you have a specific area of interest. Past lessons have included boxmaking, tooling, book conservation and basic paper repair techniques, edge gilding, photo albums and portfolios, and more. My full contact info is listed here.
Orientation to Leather
It is impossible to imagine the history of bookbinding without leatherwork, and difficult to advance in learning bookbinding without having some skill or understanding of how leather is used in making books. Fancy books, plain ones, rustic or refined, historical and modern all have used leather in some fashion. Even many books without the tiniest scrap of leather still have borrowed working methods from leather bookbinding. This introduction to the advanced track in leatherwork for bookbinding helps students cross the frontier of those remote and mysterious tools and techniques commonly used in leather bookbinding today.
The first half of the class will explain and demonstrate the technical aspects of knives, and you will experience how to get and maintain a great edge. We will look at the various advantages and disadvantages of PSA abrasive sheets, Japanese water stones, oil stones, and stropping compounds. We will also explain the different surfaces available for using your knife, and how they act on knives: litho stones, marble, and tempered glass. If you have a knife for leather working that has dulled or lost its shape, and you’d like to learn how to tune it up yourself, please bring it to work on.
The second half of the class will focus on the various methods used to pare leather: edge paring with knives, and all-over paring with a Schärf-Fix or Brockman paring machine. There will be plenty of time for guided practice on your own in order to gain confidence with this essential skill. For those who learn quickly, paring for onlays and labels will be covered. This class is a requirement for the other leather bookbinding classes at the Center; the materials fee includes the edge paring knife that you will need in this class, as well as any subsequent ones you may take.
*Watch a video about this workshop!
Saturday, July 7; 9:30-5:30. Register/more info or call 415-565-0545.
Introduction to Foil Stamping
The Kwikprint is a fun and practical tool for binders, printers, mixed media artists and crafters. In this class, students will learn how to prepare the machine and gain an understanding of the balance of temperature, pressure and time needed for a great stamped impression using hot brass type and ornaments. Impressions can be made with metallic and matte or satin pigmented foils, or blind stamped without any pigment.
Students will learn to set and care for brass and zinc type, and will stamp labels onto bookcloth and paper.
Upon completion of this course, students may use the SFCB Kwikprint stamping machines during open studio hours.
Tuesday, July 10; 6:30-9:30 pm. Register/more info or call 415-565-0545.
SFCB Week-long Core Certificate in Bookbinding
SFCB has reorganized its core bookbinding and printing curricula. We now offer the Bookbinding Core in four segments, spread out over five days of classroom time. The Core classes are: the Coptic Binding, Flat-back Link-Stitch with Casing, Limp Paper Binding, and Classic Rounded Spine. You may now take these classes as an innovative week-long intensive. The week-long intensive includes all four classes in the Core in an easy-to-digest, continuous stream of five dreamy, wonderful days spent binding your favorite books. What could be better? You will become more confident with gluing, with sewing headbands, cutting binder’s board; even the basic elements of edge decoration are included. If you are coming from afar and would like assistance with logistics, contact me or ask the lovely professionals at the Center when you call to register.
Monday through Friday, July 23-27, 9:30-5:30. Register/more info, or call 415-565-0545
Transfigured Notebook
In this workshop, we take apart and rebind, in a much more attractive and durable fashion, one of those Composition Books available widely at drugstores. The textblocks are made from ruled acid free paper, making them practically impossible to live without. Once you personalize your first notebook in this method you’ll wonder why you never did before, and as part of this class we will use the Kwikprint to foil stamp a nifty paper label for the front to identify it as your own.
Sunday, August 12; 9:30-5:30 Register/more info or call 415-565-0545.
Hand Bookbinding in Maine
In this hands-on workshop, we will make one simple non-adhesive book each day. The structures will range from the earliest binding styles to contemporary, and they are geared towards beginner through intermediate skill levels. In addition to the binding, we will explore at least three different ways to decorate paper for the covers of our books: paste paper, suminagashi, and plant printing. The goal is to create a harmonious set of beautiful books, learn simple structures that you can take home and repeat on your own, and let your creative mind explore the medium of book binding.
This workshop will be held at an historic lodge in downeast rural Maine, about an hour north of Portland, Maine. The tuition includes room and board.
For more information and to register, please visit this page.
Paper and Paste
While bookbinding and book repair share many skills and techniques, they are also distinct pursuits. This course is intended to introduce the student familiar with bookbinding to key practices within basic book repair. What is the difference between conservation and restoration? What is pH and how is it tested in paper? What are the different adhesives used in book repair and what is the selection process? Through both discussion and hands-on practice, students will get the answers to these questions and more in order to start to appreciate the challenges and rewards of book repair. There are no prerequisites for this class, though some bookbinding experience or experience in the safe handling of fragile items is recommended.
Saturday, September 29; 9:30-5:30. Register/more info or call 415-565-0545.
Orientation to Leather
It is impossible to imagine the history of bookbinding without leatherwork, and difficult to advance in learning bookbinding without having some skill or understanding of how leather is used in making books. Fancy books, plain ones, rustic or refined, historical and modern all have used leather in some fashion. Even many books without the tiniest scrap of leather still have borrowed working methods from leather bookbinding. This introduction to the advanced track in leatherwork for bookbinding helps students cross the frontier of those remote and mysterious tools and techniques commonly used in leather bookbinding today.
The first half of the class will explain and demonstrate the technical aspects of knives, and you will experience how to get and maintain a great edge. We will look at the various advantages and disadvantages of PSA abrasive sheets, Japanese water stones, oil stones, and stropping compounds. We will also explain the different surfaces available for using your knife, and how they act on knives: litho stones, marble, and tempered glass. If you have a knife for leather working that has dulled or lost its shape, and you’d like to learn how to tune it up yourself, please bring it to work on.
The second half of the class will focus on the various methods used to pare leather: edge paring with knives, and all-over paring with a Schärf-Fix or Brockman paring machine. There will be plenty of time for guided practice on your own in order to gain confidence with this essential skill. For those who learn quickly, paring for onlays and labels will be covered. This workshop is a requirement for the advanced leather track in bookbinding at the San Francisco Center for the Book.
*Watch a video about this workshop!
Saturday, October 6, 9:30-5:30. Register/more info or call 415-565-0545.
Leather Pocket Book
This course is an introduction to books made with leather. Over two days, we will make a simple, refined book with a full leather cover. This will allow students to use skills gained in the Orientation to Leather class in a binding project with beautiful and admirable results. The Leather Pocket Book is based on the style of binding known as limp leather because of its flexible covers. This style was used for devotional texts, field notes, and other types of companion books one might carry along everywhere. To decorate the covers, we will blind tool them using geometric patterns. If you are interested in learning how and why to bind books with leather, this is the class for you.
A pair of Sundays: October 21 and 28; 9:30-5:30. Register/more info or call 415-565-0545.
Watch a video about the advanced track in leather bookbinding at the Center!
Basic Book Repair: The Cloth Reback
In this class, we will learn the steps necessary to repair ailing clothbound books. This style of repair, developed through decades of use in conservation labs and private studios alike, allows the practitioner to safely disbind books with integrity and respect for the original structure, and follows an ethic of saving every part of the original material. The cloth reback can be varied many ways to attend to the many different problems books can have, but all variations are based on the foundational method taught in this class. Students will work on books specifically chosen by the instructor, who will also discuss how to identify books that are not good candidates for this type of repair.
A trio of Sundays: November 4, 11, 18; 9:30-5:30. Register/more info, or call 415-565-0545
Past Student Reviews
Here is an article one of my students wrote about his experiences in the Week-Long Core.
“The knowledge of the instructor and her ability to recognize the skill level of the students was key to the class. Juliayn was able to assist each individual according to their skill level with professionalism and patience, making a great classroom experience.”
“Juliayn was a great teacher. She was patient and also good at rolling with whatever came up. I appreciated her attitude to the learning process (that we need to practice these things before getting them right) while also emphasizing best practices and techniques for bookbinding. I enjoyed the time when she would deviate from the actual binding of the book to give us a mini lecture on the field, on adhesives, paper quality, where to buy materials, history of the art, etc.”
“I loved the instructor’s calm manner and accessibility- plus she has a great sense of humor, something much appreciated during stressful maneuvers.”
“Juliayn is always so cheerful, funny, organized, and patient! I love her classes! She teaches good practices which promote good habits.”
“Can’t say enough of Juliayn’s patience, composure, and professionalism. I struggled with several steps and she was always there to help me with her smile and kind heart.”
“Love her sense of humor and friendliness, as well as her depth of knowledge. Very happy that I got to take this class.”
“Thanks to Juliayn’s encouragement and excellent teaching, I was finally able to pare leather without tearing giant holes in it. ”
