Unless otherwise noted, these workshops are held at the San Francisco Center for the Book. The Center moved at the very end of 2012 to 375 Rhode Island Street, so all the workshops listed here will be held in the new location (just around the corner from the old location). You can register on the webpage for each individual class, linked to in each listing, or call the Center at 415-565-0545.
I also offer a wide range of private tutoring in special topics; please inquire if you have a specific area of interest. Past lessons have included boxmaking, tooling, book conservation and basic paper repair techniques, edge gilding, photo albums and portfolios, and more. My full contact info is listed here.
SFCB Week-long Core Certificate in Bookbinding
SFCB has reorganized its core bookbinding and printing curricula. We now offer the Bookbinding Core in four segments, spread out over five days of classroom time. The Core classes are: the Coptic Binding, Flat-back Link-Stitch with Casing, Limp Paper Binding, and Classic Rounded Spine. You may now take these classes as an innovative week-long intensive. The week-long intensive includes all four classes in the Core in an easy-to-digest, continuous stream of five dreamy, wonderful days spent binding your favorite books. What could be better? You will become more confident with gluing, with sewing headbands, cutting binder’s board; even the basic elements of edge decoration are included. If you are coming from afar and would like assistance with logistics, contact me or ask the lovely professionals at the Center when you call to register.
Monday through Friday, May 22-26, 9:30-5:30. Register/more info, or call 415-565-0545.
Monday through Friday, August 7-11, 9:30-5:30. Register/more info, or call 415-565-0545
Orientation to Leather
It is impossible to imagine the history of bookbinding without leatherwork, and difficult to advance in learning bookbinding without having some skill or understanding of how leather is used in making books. Fancy books, plain ones, rustic or refined, historical and modern all have used leather in some fashion. Even many books without the tiniest scrap of leather still have borrowed working methods from leather bookbinding. This introduction to the advanced track in leatherwork for bookbinding helps students cross the frontier of those remote and mysterious tools and techniques commonly used in leather bookbinding today.
The first half of the class will explain and demonstrate the technical aspects of knives, and you will experience how to get and maintain a great edge. We will look at the various advantages and disadvantages of PSA abrasive sheets, Japanese water stones, oil stones, and stropping compounds. We will also explain the different surfaces available for using your knife, and how they act on knives: litho stones, marble, and tempered glass. If you have a knife for leather working that has dulled or lost its shape, and you’d like to learn how to tune it up yourself, please bring it to work on.
The second half of the class will focus on the various methods used to pare leather: edge paring with knives, and all-over paring with a Schärf-Fix or Brockman paring machine. There will be plenty of time for guided practice on your own in order to gain confidence with this essential skill. For those who learn quickly, paring for onlays and labels will be covered. This class is a requirement for Leather 1; the materials fee includes an edge paring knife that you will need in class, as well as in Leather 1.
Saturday, May 20; 9:30-5:30. Register/more info
Paper and Paste
While bookbinding and book repair share many skills and techniques, they are also distinct pursuits. This course is intended to introduce the student familiar with bookbinding to key practices within basic book repair. What is the difference between conservation and restoration? What is pH and how is it tested in paper? What are the different adhesives used in book repair and what is the selection process? Through both discussion and hands-on practice, students will get the answers to these questions and more in order to start to appreciate the challenges and rewards of book repair. This class is an excellent introduction for any student wishing to take the Basic Book Repair: The Cloth Reback class, or any of the book repair classes offered by Dominic Riley and Michael Burke at the Center in the summer.
Saturday, June 17, 9:30-5:30; Register/more info, or call 415-565-0545
The Cloth Reback
In this class, we will learn the steps necessary to repair ailing clothbound books. This style of repair, developed through decades of use in conservation labs and private studios alike, allows the practitioner to safely disbind books with integrity and respect for the original structure, and follows an ethic of saving every part of the original material. The cloth reback can be varied many ways to attend to the many different problems books can have, but all variations are based on the foundational method taught in this class. Students will work on books specifically chosen by the instructor, who will also discuss how to identify books that are not good candidates for this type of repair.
A trio of Sundays: July 16, 23, 30; 9:30-5:30. Register/more info
Hot Type
In this class we will explore the world of titling on books using type and dies for heated applications known as stamping. The twentieth century has granted us two machines commonly used for this purpose: the Kwikprint and the Kensol. Learning the basic safety guidelines and the simple techniques for using them, we will guide you to making a perfect impression with hand-set type and magnesium dies. Projects we’ll complete will be to make a title label for a book using brass or zinc type, and an Ex Libris bookplate with a magnesium die.
Past Student Reviews
“The knowledge of the instructor and her ability to recognize the skill level of the students was key to the class. Juliayn was able to assist each individual according to their skill level with professionalism and patience, making a great classroom experience.”
“Juliayn was a great teacher. She was patient and also good at rolling with whatever came up. I appreciated her attitude to the learning process (that we need to practice these things before getting them right) while also emphasizing best practices and techniques for bookbinding. I enjoyed the time when she would deviate from the actual binding of the book to give us a mini lecture on the field, on adhesives, paper quality, where to buy materials, history of the art, etc.”
“I loved the instructor’s calm manner and accessibility- plus she has a great sense of humor, something much appreciated during stressful maneuvers.”
“Juliayn is always so cheerful, funny, organized, and patient! I love her classes! She teaches good practices which promote good habits.”
“Can’t say enough of Juliayn’s patience, composure, and professionalism. I struggled with several steps and she was always there to help me with her smile and kind heart.”
“Love her sense of humor and friendliness, as well as her depth of knowledge. Very happy that I got to take this class.”
“Thanks to Juliayn’s encouragement and excellent teaching, I was finally able to pare leather without tearing giant holes in it. ”
